Different Stages Presents

 

Pericles, Prince of Tyre

by William Shakespeare

 

Director/Designer         Norman Blumensaadt

Lighting Design                        Fallon Lindsey

Costume Design                    Jeanette Driscoll

Stage Manager                  Peggy Lee Pleasant

Composer                                    Kyle Sigrest

Choreographer                  Terri Lynn Raridon

Sound                                          Frank Benge

                                                                       

 

CHARACTERS AND CAST

(in order of appearance)

 

Gower                                                                Robert Rudie

ANTIOCH                                                                            

Antiochus, King of Antioch                     Michael De Minico

Daughter of Antiochus                                     Lucy Jennings

Thaliard, an assassin                                       Nicholas Ivan

TYRE

Pericles                                                                  Scott Tesh

Helicanus, Counselor to Pericles                      Frank Benge

Escanes                                                              Aleta Garcia

Lords of Tyre                                               Ronnie Williams

                                                                  Christopher Brown

TARSUS

Cleon, Governor of Tarsus                          Michael Neilond

Dionyza, his wife                                      Susan Poe Dickson

Leonine, a murderer                                         Nicholas Ivan

Marina, daughter to Pericles                           Lucy Jennings

 

 

 

 

PENTAPOLIS                                                                      

Fishermen of Pentapolis                                    Frank Benge

                                                                        Errich Petersen

                                                                  Christopher Brown

Simonides, King of Pentapolis                              Steven Fay

Thaisa , Princess of Pentapolis                     Beth Burroughs

Foreign Kinghts wooing Thaisa                       Nicholas Ivan

                                    Michael De Minico, Ronnie Williams

                                       Christopher Brown, Errich Petersen

Lychorida, a nurse                              Christina Frankenfield

EPHESUS

Cerimon, a healer                                        Ronnie Williams

Philemon, a nurse                                              Aleta Garcia

Dying Woman                                           Susan Dickson Poe

Servant to Dying Woman                               Errich Petersen

Diana, a Goddess                                Christins Frankenfield

MYTILENE

Bawd of the brothel                                            Aleta Garcia

Pandar, her husband                                             Steven Fay

Boult of the brothel                                            Frank Benge

Lysimachus, Governor of Mytilene               Errich Petersen

AT SEA AND ELSEWHERE

Sailors, Pirates, Attendants, Starving Tarsians, Marshal,

Customers of the brothel and Others               The Company                                     

The play is performed in Two Acts with one intermission.

 

 

THE PRODUCTION COMPANY

 

FRANK BENGE (Helicanus, 1st Fisherman, Boult) This is Frank's third show for Different Stages. He has appeared previously for us in "Fuddy Meers" (Limping Man) and "An Ideal Husband" (Lord Goring). He has the distinction of being twice nominated for ACoT's B. Iden Payne Award as Outstanding Lead Actor in a Comedy: for "An Ideal Husband" and also for SBCT's production of "The Man Who Came to Dinner" (Sheridan Whiteside). He was the recipient of the Renna Hunter Award in 1974 for his performance as Nicely-Nicely Johnson in "Guys & Dolls". Shakespearian roles  in the past include "The Taming of the Shrew" (Baptista), "The Life and Death of King John" (King Philip), "As You Like It" (Duke Frederick) and "The Merry Wives of Windsor" (Master Ford).

 

NORMAN BLUMENSAADT (Director) is the Producing Artistic Director for Different Stages. Recent acting roles include: Millet in "Fuddy Meers", Aunt Augusta/Henry Pulling in "Travels With My Aunt" and Vanya in "Uncle Vanya".  He was given the Austin Circle of Theaters’ Deacon Crain/John Bustin Award in 1998 for his work with Different Stages.  For Different Stages he has directed: "An Ideal Husband", "Two Gentlemen of Verona", "The House of Bernarda Alba", and "Summer and Smoke". This year, he will direct plays by Tennessee Williams. "Pericles" finishes Different Stages productions of the Shakespeare Romances; "The Tempest"  (1982), "The Winter's Tale" (1986), and "Cymbeline" (1994).

 

CHRISTOPHER BROWN (Ist Tyre Lord, 3rd Fisherman, Knight, 1st Ephesus Lord) Christopher Brown is returning to the stage after a long hiatus. Many moons ago he appeared in such roles as Lysander in "A Midsummer Night's Dream", the Ghost of Hamlet's father in "Hamlet", Mercutio in "Romeo and Juliet", Marc Antony in "Julius Caesar",  and title roles in shows like "Li'l Abner", Dracula", and "The Night Thoreau Spent in Jail".  Based on his performance in "Equus" as Dysart in high school, he was named Best Actor in the State of Texas, but opted for a less risky road than full-time college theater studies or a professional acting career. Instead he completed a bachelor's degree at Northwestern University in Evanston, Illinois, where he was named to Phi Beta Kappa. Later he completed a master's in public policy and a law degree at the University of Texas at Austin, during which time he appeared as the Mayor of London in "Richard III".  He is licensed to practice law in Texas and Louisiana and currently serves as the Water Projects Attorney for the National Wildlife Federation here in Austin.

 

 

 

 

 

BETH BURROUGHS (Thaisa) moved to Austin almost 5 years ago from Virginia, and has appeared in local independent films and theatre in Austin and the surrounding area. This is her third production with Different Stages, after "The Hasty Heart" and "The Misses Overbeck". She loves to work in theatre whenever she can, and when she can't, she works at Southwestern University and hangs out with her husband and her 5 cats.

 

MICHAEL DEMINICO (Antiochus, Lord, Knight, Sailor, Pirate, Tyre Sailor, Guitarist) just moved to Austin from Boston. While in Boston, he performed with many theater companies, one band and one improv group. Notable roles include "Romeo and Juliet", (Benvolio), "How I Learned to Drive", (Peck), "Macbeth" with the Commonwealth Shakespeare Company, (soldier, understudy), and "Picasso at the Lapin Agile", (Picasso). He has a BS from Skidmore College in Theater Acting and studied with BADA's Shakespeare Program in London. Thanks to the cast and crew. Love to his family, friends and Colleen.

 

JEANETTE DRISCOLL (Costume Designer) has a Bachelor's degree in Theatre Arts from UT El Paso. She has been working in the area of costuming for 8 years, mainly on touring shows. She has been in Austin for 2 years and this is her sixth Different Stages production. She also works regularly with Austin Lyric Opera.

 

SUSAN POE DICKSON (Dionyza) is happy to be making her debut with Different Stages.  She was last seen in Austin Shakespeare Festival's productions of Will Power (multiple roles) and as Brutus in "Julius Caesar".  She previously appeared with ASF Reading Series as Valeria in "Coriolanus" and Gaoler in "Cymbeline". Roles include:, Alice in "Henry V" workshop,  Player Queen in "Hamlet", Emilia in "Othello", Paulina in "The Winter’s Tale", and Margaret in "Much Ado About Nothing".  She also performed the role of Adrianna in "A Comedy of Errors" at Sam Bass Theatre. She was named Grisham's Teacher of the Year 1998, Round Rock I.S.D. Secondary Teacher of the Year 1999, and was named to Who's Who Among American Teachers 2002 and received the PTA Lifetime Membership Award in 2003.  Susan would like to thank Scott & Miranda for their love and support.

 

STEVEN FAY (Simonides et al.) was last seen at Different Stages as Lord Caversham in "An Ideal Husband".  He has also appeared in DS productions of "Two Gentlemen of Verona", "Cymbeline" and "Titus Andronicus".  He received a B. Iden Payne Award nomination for "The Scarlet Letter" at Vortex.  Watch for him in the Scottish Play in March and April.

 

 

 

 

CHRISTINA FRANKENFIELD (Pentapolis Lady, Lychorida, Pirate, Diana) This is Christina’s second production with Different Stages. She was most recently seen as Christina in the Paradox Player’s production of "Uh Oh, Here Comes Christmas". Other recent roles include Hannah in the Different Stage’s production of "The Misses Overbeck", the Christmas Fairy in Second Youth’s production of "The Toys Take Over Christmas", and Judy in the Rubber Repertory’s ACOT-nominated production of “The Designated Mourner.” Christina has also acted in various independent films and earlier this year she made her major motion picture debut as the Judge in Robert Rodriguez/Frank Miller’s “Sin City.” “It is my 15 seconds of fame!” she says. She wishes to thank Norman Blumensaadt, her brilliant director, and Different Stages for this wonderful opportunity.

 

 

ALETA GARCIA (Escanes, Philemon, Bawd)  A native of Tucson, Aleta has lived in Austin for four years. Other Different Stages roles include Mabel in "An Ideal Husband" and Martirio in "The House of Bernarda Alba", for which she received a B. Iden Payne  Award nomination. Other favorite roles are Carol in "Oleanna," Frances in "Five Women Wearing the Same Dress," and Rachel in "Reckless." Aleta holds a BFA in Acting/Directing from the University of Arizona. Off the stage, she spends her weekdays working as a web manager for Austin Community College. Aleta would like to thank her uncle and parents for flying out from the district and the desert to see her act in her first Shakespearean production.

 

 

NICHOLAS IVAN (Thaliard, Knight, 2nd Sailor, Leonine)

earned his B.A. in Theatre Arts at Northern Illinois

University in 2000, and relocated to Austin shortly after.  He has

previously appeared at the Bristol and Texas Renaissance Festivals (1999-2001), in Melting Moon Arts' "Love's Labour's Lost" (2001), and in various film projects,  in "The Rookie," "The Life of David Gale" and "The Alamo."

 

 

LUCY JENNINGS (Antiochus' Daughter, dancer, Marina) Previous roles for Different Stages include Lady Marchmont in "An Ideal Husband", Melanie in "The Misses Overbeck".  Sheila in "The Boys Next Door "(SWT UPAC) is also to her credit. She received her BFA in Acting from SWT (TSU-San Marcos).  During this time she attend a one-year course at the London Academy of Music and Dramatic Art. Future plans include pursuing an MFA in Shakespeare Studies in Stratford-upon-Avon and perhaps surviving on Top-Ramen in New York City, Chicago or London.

 

 

FALLON LINDSEY (Light Design) graduated from the University of Texas at Austin in 2004.  She has worked at the Santa Fe Opera and the Lensic Performing Arts Center in Santa Fe, NM, as well as the UT Performing Arts Center in Austin. For the past year she has worked in many of Austin’s theatres and for the City of Austin with the "Trail of Lights". Some of her Lighting Designs include: "Dance Action" (2003), "E.A.R.S. and Feet" (2004) at the University of Texas and "Arms and the Man" with Different Stages (2004).

 

MICHAEL NEILOND (Cleon) appeared previously for Different Stages in last season's "An Ideal Husband" as Sir Robert Chiltern. Previous Shakespearean roles he has had included "Richard III", "The Merchant of Venice", "Romeo and Juliet", and "Cymbeline". Principal roles he has recently assayed include Marc in Yasmina Reza's "Art" (Colorado Springs), Sir Peter Teazle in Sheridan's "School for Scandal" (Aptos, CA) and Sherlock Holmes in Charles Marowitz's "Sherlock's Last Case" (Monterey, CA). He received his theatre training at Georgetown and Berkeley. His favorite productions, as always, are daughter Kiara, 15, and son Kyle, 11.

 

ERRICH PETERSEN (Messenger, 2nd Fisherman, Knight, Servant, Lysimachus) This is Errich's second Different Stages production after acting in "The Misses Overbeck", written by the great Austin playwright, Tom White. He recently played in the Vortex's "Wake for the Dark Poet: The Antonin Artaud Project", and Naughty Austin's "Debbie Does Dallas - The Musical!"

 

PEGGY LEE PLEASANT (Assistant Director and Stage Manager ) was drafted for "Pericles" after Norm found her loitering around the rehearsals.  Last year she worked with Different Stages as Assistant Director for the lovely and talented Karen Carver Sneed in "Molly Sweeney."  Among some of her acting credits are "Anton in Show Business" at the State Theater, "Play On" and "Sing On" at Way Off Broadway in Cedar Park and the "Summer Musical for Children" with Chorus Austin.

 

TERRI LYNN RARIDON (Choreography)Terri Lynn has been choreographing and directing shows such as "The Boyfriend"," La Cage aux Folles"," The Will Rogers Follies" and "Fame", in Austin since 1983. She continues to freelance in the theatre while currently serving as consulting artistic director and guest choreographer for local burlesque sensation "Kitty Kitty Bang Bang", drumming in the band Jasmine Reign and serving as a director and wildlife rehabilitator for The Bill Hicks Foundation.

 

 

ROBERT RUDIE (Gower) began his acting career at the Claire Tree Major Children's Theatre in New York. As a teenager, he played roles in French for the Theatre François.  There was a many year hiatus, while he graduated from the Julliard School of Music, and pursued his long and successful musical career. This includes stints as Concertmaster of the Oklahoma Symphony, The American Symphony, Aspen Festival, international tours as conductor and soloist. His acting career was resuscitated when he began performing his one-man show "Paganini!" in which he acted five different roles and played brilliant violin solos. His acting and violin playing won an Emmy award on the PBS-TV program "Meeting of Minds" with Steve Allen. Since moving to Austin, he has continued his musical career and is now in his 15th season as Music Director of the chamber series, Salon Concerts. This is his fourth role for Different Stages. He also appeared as Scrooge for several years at the Paramount and Zachary Scott Theatres.

 

KYLE SIGREST (Composer) holds a Master of Music from the University of Texas at Austin in piano performance focusing on choral music, conducting and music theory.  Kyle is the composer of scores for "The House of Bernarda Alba" and Ann Ciccolella's "Madame X", for which he received a B. lden Payne nomination. He is collaborating with Ann again to compose a chamber opera.   Kyle received a B. Iden Payne award for his acting role as Manny in "Masterclass" at Zach Scott Theatre.  He was also musical director/pianist/conductor for numerous shows, most recently Pro Arts Collective's "Black Nativity", Zilker Theatre Productions’ "The Secret Garden", and Silverstar Theatre's "Fame!" He received an Austin Critic's Table Musical Director nomination for the last.

 

SCOTT TESH (Pericles) makes his first appearance on an Austin stage with this role.  Favorite previous roles in Houston include Jess in "The Complete Works of William Shakespeare Abridged" (New Heights Theatre), Theseus in "A Midsummer Night's Dream" (Barter Theatre), Trent Conway in "Six Degrees of Separation" (Main Street Theatre), and Jack in "The Witlings" (Main Street Theatre).  He thanks his family for all their love and support.

 

RONNIE WILLIAMS (2nd Tyre Lord, Knight, Cerimon) is a native Houstonian. This is Ronnie's first Shakespeare performance and first show in Austin. He is grateful for this interesting and confusing journey. He would like to thank his wonderful mother for her support, Emily, Lamar and Stephanie for their craziness, Lucy for our good times, singing and knowledge of scansion. And last but not least, Errich for the tea!

 

 

 

PRODUCTION STAFF

 

                                                                                                    

Light Operator                                                           Beth Ornales

Sound Operator                                              Peggy Lee Pleasant

Set Construction                         Norman Blumensaadt, Steve Fay.

                      Aleta Gracia, Ronnie Williams, Christina Frankenfiled

         Scott Tesh, Lucy Jennings, Errich Petersen, Beth Burroughs,

                                                                               Linda Rickard

                                                                                                  

Costumes                                                            Jeanette Driscoll

Dressers                             Richard Gibson, Elizabeth Kasprowicz,

                                                        Matt Mumaugh, Penny Rivero

                                                           Michelle Sims, Ann Salerno

Hair                                                                             Kay Brown

Electricians                                            David Grafe , Roy Young

Graphic Artist                                                Sarah Hauck Seaton

Photographer                                                        Brett Brookshire

Program                                                       Norman Blumensaadt

Properties         Irene Dubberley, Adan Kluth, Norman Blumensaadt

Publicity                                      Carol Ginn, Norman Blumensaadt

 

 

ACKNOWLEDGEMENTS AND SPECIAL THANKS

 

Blake Yelavich and Keely Williams,

Arts On Real, Dougherty Arts Center for Rehearsal Space,

 Laura Sandberg and Second Youth Family Theatre, Phil Judah,

David & Carol Kluth, Austin Circle of Theatres, Austin Lyric Opera

 

Different Stages, Inc. has been a community-based organization since its inception in 1981 and incorporation in 1984.  It produces works by playwrights whom we believe to be defining forces in theatre.  We seek to entertain with performances that reveal life in all its comedy, tragedy and intensity; and we hope to educate by choosing plays that provide exceptional insight into the human condition.  By challenging ourselves as artists and our audiences as participants, we endeavor to provide the community with vigorous and exciting live theatre.

 

Board of Directors:  Karen Jambon Henry V. Fitzgerald, Jr. & Randolph Stripling.  Operating Board:  Norman E. Blumensaadt, Mike Groblewski, Royce Gehrels & Paula Ruth Gilbert.

 

 

 

Pericles' Adventures

 

 

TYRE

Founded in 2750 BCE, Tyre is still a thriving city in the present- day country of Lebanon on the eastern shore of the Mediterranean Sea. An island in ages past, Tyre was connected to the mainland by landfill in the 10th century BCE. The Greeks attributed the invention of the alphabet to a Tyrian named Cadmus, and his sister, Europa, was supposedly the namesake of the European continent. Tyrians, also called Phoenicians, were famous for their unmatched sailing ability, which led to a thriving maritime trade. In addition, Tyre's purple-dyed clothing was worn throughout the ancient world as a mark of royal rank. Ancient Tyrians extracted the purple dye from a maritime snail and each gram of dye was worth ten or twenty grams of gold. Pericles, then, would have been the ruler of a wealthy and well-respected land.

 

 

ANTIOCH

Pericles' journey begins in Antioch, a city in the ancient kingdom of Syria, established in 321 BCE as part of the Seleucid Empire. Pericles would have reached this city from Tyre by a land journey of about 220 miles northward-Shakespeare has Pericles make the journey by sea. Today, the site of ancient Antioch is occupied by the Turkish town of Anatakya.

 

 

TARSUS

Fleeing Antiochus, Pericles is befriends by Cleon, the governor of Tarsus, when Pericles arrives with food and supplies for the starving country on his first sea voyage. Tarsus existed on the southern coast of Asia Minor (currently southern Turkey) and was surely a point of trade with the Tyrians (Phoenicians). Scholars debate whether "Tarsus" might actually refer to Thasos, a small island in the northern Aegean Sea, near present-day Greece. Either way, Tarsus as Shakespeare writes it is largely fictional

 

 

PENTAPOLIS

After Pericles leaves Tarsus, he is shipwrecked and lands in Pentapolis. Pentapolis literally means "five cities" and was a district of five cities on the north African shore, then part of the kingdom of Carthage and currently part of the nation of Libya. Pentapolis lies 950 miles southwest of Antioch and 550 miles west of Egypt's city of Alexandria.

 

 

BACK TO TARSUS

On his way back from Pentapolis, Pericles's ships are threatened by another severe storm, during which his daughter Marina is born. Pericles, believing Thaisa dead and that his daughter will not survive the trip to Tyre, casts his wife overboard and heads once more to nearby Tarsus to leave Marina in the care of Cleon and Dionyza. If Pericles was indeed headed from Pentapolis to Tarsus, however, Thaisa's coffin would have had to travel 600 miles overnight to reach the city of Ephesus where she washes ashore by morning.

 

 

MYTILENE

When Marina is captured by pirates, they take her to be sold in Mytilene. Mytilene, in both ancient times and present day, is the largest city on the Greek island of Lesbos located in the eastern Aegean Sea.

 

 

EPHESUS

Ephesus was a thriving city in Asia Minor. Located in present-day Turkey, Ephesus is one of the best preserved ancient cities today. In ancient times, it grew to be the second largest city in the Roman Empire and was home to one of the Seven Wonders of the Ancient World: the Temple of Diana at Ephesus. The temple was constructed of marble, contained 127 sixty-foot-high columns and four bronze statues of Amazons sculpted by the finest artists of the time. The temple served as both a shrine and marketplace, drawing worshippers and traders from across the world. When St. Paul arrived in the city to preach Christianity in the first century CE, he was met with great resistance from the Ephesians who worshipped Diana (whom they called Artemis). Eventually the temple was destroyed by Goth invaders in 262 CE. In Pericles, the sea deposits Thaisa on the shores of Ephesus, and she resides in Diana's temple for 14 years before she is reunited with her husband and daughter.

 

The Shakespeare Theatre, Washington, DC, Pericles Teaching Notes  2004

 

 

Programs by: 

UNIVERSAL PUBLISHERS • Special Events Advertising • 478-6306 • upstages.com

 
 

 

 


                    

 

 

 
ABOUT THE PLAY

 

Because large parts of the play, particularly its first two acts, seem to critical readers so obviously defective and crude, both in style and in dramaturgy, we may be surprised by the evidence that in Shakespeare's own time and for a generation after, the play was highly popular. The First Quarto of 1609 speaks of it as "The late, And much admired Play...diuers and sundry times acted by his Maiesties seruants, at the Globe on the Banck-side." Other references from the time tell us of large crowds flocking to see it, and of both the Venetian and French ambassadors watching an early performance. Between 1610 and 1631 it was revived several times, not only at the Globe, but on one occasion at Whitehall before distinguished guests; it was also performed by a traveling company in the country. Moreover, the Quarto text was reprinted no less than five times, thus confirming the unusual interest in the play. By 1635, the date of the Sixth Quarto, very few other plays had appeared as often in print. We know, of course, that in Shakespeare's time other plays of little dramatic subtlety and of far less literary merit than the best scenes in Pericles could produce a great stir. Yet it does seem strange, especially in view of the play's fate on the stage from Dryden's time to the 1920's and even later, that a work which appears so dismally written and un-dramatic in its first two acts could experience such a success on stage, and have so much demand for it by readers. But what should surprise us most is that after producers hardly ever risked staging the play for centuries several impressive revivals of it during the past thirty years demonstrate that Pericles can hold modern audiences throughout and that watching it can be an enchanting experience.

F. David Hoeniger, "Gower and Shakespeare in Pericles,"

Shakespeare Quarterly, Winter 1982

 

"The usual hero adventure begins with someone from whom something has been taken, or who feels there's something lacking in the normal experiences available or permitted to the members of his society. This person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. It's usually a cycle, a going and a returning... There are both kinds of heroes, some that choose to undertake the journey and some that don't... In one kind of adventure, the hero sets out responsibly and intentionally to perform the deed...Then there are adventures into which you are thrown...You didn't intend it, but you're in now."

 

Joseph Campbell, The Power of Myth

 

Lyrics for Marina's song by Martin Best,

The BBC Shakespeare Plays

Contributors

 

Director Level  $5000 +

The City of Austin

 

Actor Level   $1000 - $5000

Karen Jambon & Jennifer Underwood

 

Stage Manager Level  $500-$999

Tera Quest Metrics, Inc.

Norman S. Blumensaadt

 

Designer Level  $250-$499

 

Stage Hand Level  $100-$249

Connie McMillan, Royce Gehrels, Ann Blumensaadt, Janie Hayes & Jimmy Bisese , Karen Kuykendall, Irene Dubberley, Suzanne Winkelman, Mary Margaret Farabee,Richard A. Muscat Don Howell, Tom White, David Smith,

 

Audience Level $20-$99

Carel Anderson & Peyton Hayslip, Paul G. Minor & Erin Ochel,

Rodulfo r. Alamia
 

 


Different Stages’ Repertory

Begun as Small Potatoes Theatrical Company

 

1981:  August Strindberg’s Creditors and The Stronger.  1982:  William Shakespeare’s The Tempest and A Midsummer Night’s Dream.  1983:  George Bernard Shaw’s Candida; Anton Chekhov’s The Brute, Swan Song, and Celebration.  1984:  Luigi Pirandello’s Right You Are (If You Think You Are); Jane Martin’s Talking With…  1985:  Caryl Churchill’s Cloud 9; William Shakespeare’s As You Like It; Carl Sternheim’s The Underpants; Michael Weller’s Moonchildren.  1986:  Amlin Gray’s How I Got That Story; William Shakespeare’s The Winter’s Tale; Eugene O’Neill’s Beyond the Horizon.  1987:  Michael Weller’s Loose Ends; Aristophanes’ The Wasps; Larry Kramer’s The Normal Heart; Arthur Schnitzler’s Anatol.  1988:  Wallace Shawn’s Aunt Dan and Lemon; Dylan Thomas’ Under Milk Wood; Moss Hart’s Light Up the Sky; Jean Racine’s Phaedra; Jean-Baptiste Molière’s The Misanthrope.  1989:  Caryl Churchill’s Fen; Charles Ludlam’s The Artificial Jungle; William Shakespeare’s The Merchant of Venice.  1990:  Eric Overmeyer’s On the Verge; Eugene O’Neill’s Long Day’s Journey Into Night; Milan Kundera’s Jacques and His Master; Tom White’s The Trouble with Tofu; William Shakespeare’s Titus Andronicus.  1991:  George Kelly’s The Show-Off; George Bernard Shaw’s Mrs. Warren’s Profession; Keith Reddin’s Life and Limb; Mozart/Lorenzo da Ponte’s Così fan Tutte; Jean-Baptiste Molière’s The Learnèd Ladies.  1992:  Alan Ayckbourn’s Woman in Mind; Carlo Gozzi’s The Raven; Henrik Ibsen’s The Wild Duck; Charles MacArthur’s Johnny on a Spot; George Farquhar’s The Recruiting Officer.  1993:  Timberlake Wertenbaker’s Our Country’s Good; Charles Ludlam’s The Secret Lives of the Sexists; Tennessee Williams’ Orpheus Descending.  1994:  Constance Congdon’s Tales of the Lost Formicans; William Shakespeare’s Cymbeline; George M. Cohan’s The Tavern; Marlayne Meyer’s Etta Jenks.  1995:  Pierre Marivaux’s The Triumph of Love; Tom Stoppard’s Travesties; Larry Kramer’s The Destiny of Me; Alexander Ostrovsky’s The Diary of a Scoundrel.  1996:  Caryl Churchill’s Mad Forest; Agatha Christie’s Black Coffee; William Congreve’s The Way of the World.   1997:  Terrence McNally’s A Perfect Ganesh; Dorothy Parker’s Here We Are; Alan Ayckbourn’s Drinking Companion; Terrence McNally’s Noon; George M. Cohan’s Seven Keys to Baldpate; Sean O’Casey’s Juno and the Paycock.  1998:  Tom Stoppard’s Arcadia; Aeschylus’ Agamemnon; Giles Havergal’s Travels with my Aunt; Arthur Miller’s All My Sons.  1999:  Edit Villareal’s My Visits with MGM; Jean-Baptiste Molière’s The Hypochondriac (tr. Martin Sorrel); Edward Percy and Reginald Denham’s Ladies in Retirement; Chekhov’s Uncle Vanya.  2000:  Peter Parnell’s The Rise and Rise of Daniel Rocket; Ann Ciccolella’s Fruits and Vegetables; George S. Kaufman and Marc Connelly’s Merton of the Movies; Martin McDonagh’s The Cripple of Inishmaan.  2001: Milcha Sanchez-Scott’s Roosters; George Bernard Shaw’s The Devil’s Disciple; J. B. Priestly’s Dangerous Corner; Tennesee Williams’ Summer and Smoke.  2002:  Ann Ciccolella’s Madame X; David Linsay-Abaire’s Fuddy Meers; Agatha Christie’s The Unexpected Guest; Federico Garcia Lorca's The House of Bernarda Alba.  2003: Christopher Durang's Betty's Summer Vacation; Horton Foote The Traveling Lady, William Shakespeare's Two Gentlemen of Verona; Oscar Wilde's An Ideal Husband; 2004: John Patrick's The Hasty Heart; Tom White's The Misses Overbeck; Brian Friel's Molly Sweeney, George Bernard Shaw's Arms and the Man, 2005: William Shakespeare Pericles, Prince of Tyre, Edit Villareal's Marriage is Forever, Tennessee Williams' Something Unspoken and Suddenly Last Summer

 

 

 

 

Just Jeeps, Inc.

 

603 Williams Street
Austin, TX 78752-3519
Mon -Fri 8:00am- 6:00pm
Tel: (512) 459-5337


American Express, Check, Discover, Mastercard, Visa, Cash…

 

Austin's one stop Jeep® service and repair shop for over 12 years and counting.

A Few Great Reasons to Visit the

Shoreline Grill

Succulent Prime Rib

Melt in your mouth CRAB CAKES

the BEST MARTINI in Austin

 

98 San Jacinto

Downtown Next to the Four Seasons Hotel

Lunch from 11 to 5 / dinner From 5 to 10

(512) 477-3300

(512) 477-3300
 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Back to MainUpstages RegistryAd PricesHome